When the follow-up smash, “Odelay” dropped, it was clear that Beck Hanson wasn't "mellow"-ing out on his "gold" laurels. His artfully and technologically advanced rock-fi hit rocketed him from “Loser” to a pop star pimp with nothing more than a “Devil’s Haircut.”
The former California busker and poet employed his mastery of multiple instruments
and genres while romancing the industry’s newest production techniques of the time.
With help from production prodigies, the Dust Brothers(first regarded for their own techno-magical tricks on Beastie Boys' "Paul's Boutique"), “Odelay” was encrusted with electronic samples and technologic gems, crafting an album fit for the snazzy, new millennium.
The result jacked the mid-90s alternative rock scene, drawing the line for itself far beyond the popular teen angst-riddled, angry guitar solos, and blending jazz, rock, rap, folk, blues, with hi-fi-tastic tricks. “Where it’s At,” materialized a bangin’ party, with Hansen’s gritty, vo-coded words melting over obscure samples and keyboard loops. “New Pollution” married sizzling electronica with the poet’s lyrical conundrums.
Many fans would argue that Beck went on to release increasingly intellectually complex creations, but his Billboard opus cracked glass confines and allowed the popular music world's ongoing discovery and experimentation in the worlds of rock, rap, jazz and EDM.
Rumours of a re-release with additional tracks have circulated, but “Lord Only Knows” if that will become a reality.